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- Quintessential Queensland
- Distinctiveness
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- Perceptions: how people understand the landscape
- From runs to closer settlement
- Geological survey of Queensland
- Mapping a new colony, 1860-80
- Mapping the Torres Strait: from TI to Magani Malu and Zenadh Kes
- Order in Paradise: a colonial gold field
- Queensland atlas, 1865
- Queensland mapping since 1900
- Queensland: the slogan state
- Rainforests of North Queensland
- Walkabout
- Queenslanders
- Queenslanders: people in the landscape
- Aboriginal heroes: episodes in the colonial landscape
- Australian South Sea Islanders
- Cane fields and solidarity in the multiethnic north
- Chinatowns
- Colonial immigration to Queensland
- Greek Cafés in the landscape of Queensland
- Hispanics and human rights in Queensland’s public spaces
- Italians in north Queensland
- Lebanese in rural Queensland
- Queensland clothing
- Queensland for ‘the best kind of population, primary producers’
- Too remote, too primitive and too expensive: Scandinavian settlers in colonial Queensland
- Distance
- Movement
- Movement: how people move through the landscape
- Air travel in Queensland
- Bicycling through Brisbane, 1896
- Cobb & Co
- Journey to Hayman Island, 1938
- Law and story-strings
- Mobile kids: children’s explorations of Cherbourg
- Movable heritage of North Queensland
- Passages to India: military linkages with Queensland
- The Queen in Queensland, 1954
- Transient Chinese in colonial Queensland
- Travelling times by rail
- Pathways
- Pathways: how things move through the landscape and where they are made
- Aboriginal dreaming paths and trading ways
- Chinese traders in the nineteenth century
- Introducing the cane toad
- Pituri bag
- Press and the media
- Radio in Queensland
- Red Cross Society and World War I in Queensland
- The telephone in Queensland
- Where did the trams go?
- ‘A little bit of love for me and a murder for my old man’: the Queensland Bush Book Club
- Movement
- Division
- Separation
- Separation: divisions in the landscape
- Asylums in the landscape
- Brisbane River
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- Civil government boundaries
- Convict Brisbane
- Dividing Queensland - Pauline Hanson’s One Nation Party
- High water mark: the shifting electoral landscape 2001-12
- Hospitals in the landscape
- Indigenous health
- Palm Island
- Secession movements
- Separate spheres: gender and dress codes
- Separating land, separating culture
- Stone walls do a prison make: law on the landscape
- The 1967 Referendum – the State comes together?
- Utopian communities
- Whiteness in the tropics
- Conflict
- Conflict: how people contest the landscape
- A tale of two elections – One Nation and political protest
- Battle of Brisbane – Australian masculinity under threat
- Dangerous spaces - youth politics in Brisbane, 1960s-70s
- Fortress Queensland 1942-45
- Grassy hills: colonial defence and coastal forts
- Great Shearers’ Strike of 1891
- Iwasaki project
- Johannes Bjelke-Petersen: straddling a barbed wire fence
- Mount Etna: Queensland's longest environmental conflict
- Native Police
- Skyrail Cairns (Research notes)
- Staunch but conservative – the trade union movement in Rockhampton
- The Chinese question
- Thomas Wentworth Wills and Cullin-la-ringo Station
- Separation
- Dreaming
- Imagination
- Imagination: how people have imagined Queensland
- Brisbane River and Moreton Bay: Thomas Welsby
- Changing views of the Glasshouse Mountains
- Imagining Queensland in film and television production
- Jacaranda
- Literary mapping of Brisbane in the 1990s
- Looking at Mount Coot-tha
- Mapping the Macqueen farm
- Mapping the mythic: Hugh Sawrey's ‘outback’
- People’s Republic of Woodford
- Poinsettia city: Brisbane’s flower
- The Pineapple Girl
- The writers of Tamborine Mountain
- Vance and Nettie Palmer
- Memory
- Memory: how people remember the landscape
- Anna Wickham: the memory of a moment
- Berajondo and Mill Point: remembering place and landscape
- Cemeteries in the landscape
- Landscapes of memory: Tjapukai Dance Theatre and Laura Festival
- Monuments and memory: T.J. Byrnes and T.J. Ryan
- Out where the dead towns lie
- Queensland in miniature: the Brisbane Exhibition
- Roadside ++++ memorials
- Shipwrecks as graves
- The Dame in the tropics: Nellie Melba
- Tinnenburra
- Vanished heritage
- War memorials
- Curiosity
- Curiosity: knowledge through the landscape
- A playground for science: Great Barrier Reef
- Duboisia hopwoodii: a colonial curiosity
- Great Artesian Basin: water from deeper down
- In search of Landsborough
- James Cook’s hundred days in Queensland
- Mutual curiosity – Aboriginal people and explorers
- Queensland Acclimatisation Society
- Queensland’s own sea monster: a curious tale of loss and regret
- St Lucia: degrees of landscape
- Townsville’s Mount St John Zoo
- Imagination
- Development
- Exploitation
- Transformation
- Transformation: how the landscape has changed and been modified
- Cultivation
- Empire and agribusiness: the Australian Mercantile Land and Finance Company
- Gold
- Kill, cure, or strangle: Atherton Tablelands
- National parks in Queensland
- Pastoralism 1860s–1915
- Prickly pear
- Repurchasing estates: the transformation of Durundur
- Soil
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- Sunshine Coast
- The Brigalow
- Walter Reid Cultural Centre, Rockhampton: back again
- Survival
- Survival: how the landscape impacts on people
- Brisbane floods: 1893 to the summer of sorrow
- City of the Damned: how the media embraced the Brisbane floods
- Depression era
- Did Clem Jones save Brisbane from flood?
- Droughts and floods and rail
- Missions and reserves
- Queensland British Food Corporation
- Rockhampton’s great flood of 1918
- Station homesteads
- Tropical cyclones
- Wreck of the Quetta
- Pleasure
- Pleasure: how people enjoy the landscape
- Bushwalking in Queensland
- Cherbourg that’s my home: celebrating landscape through song
- Creating rural attractions
- Festivals
- Queer pleasure: masculinity, male homosexuality and public space
- Railway refreshment rooms
- Regional cinema
- Schoolies week: a festival of misrule
- The sporting landscape
- Visiting the Great Barrier Reef
By:
Chris Salisbury Queenslanders, it could be argued, have a predilection for catchy slogans. This distinctive character has long been promoted and exploited by the State’s tourism authorities. In the 1930s the Government Tourist Bureau enticed Melburnians, mid-winter, to come 'north for warmth’, and later in the 1970s it advised all-comers to ‘join the queue for Queensland’. By the 1980s a renamed Queensland Tourist and Travel Corporation beckoned a new wave of interstate and international visitors with the still popular refrain, ‘Beautiful one day, perfect the next’. In the twenty-first century the State capital became the focus of Tourism Queensland’s eyebrow-raising marketing slogan that asked, ‘Brisbane, what are you up for?’ – sleazy, according to some, but perhaps not as suggestive as the South Australian Tourism Commission’s ‘SA, going all the way’.
Equally, Queensland’s politicians have developed a fondness for sloganeering. Premier Peter Beattie (1998-2007), with his comfortable media presence and ear for a glib sound-bite, is the best known recent example. However, Premier William Forgan Smith (1932-42) had earlier pioneered the use of radio broadcasts and adopted catch-phrases. In a political first, Forgan Smith’s government had teamed with Brisbane radio station 4BC in 1937 to transmit State-wide a series of informal ‘talks’ with the Premier and his Ministers, informing listeners about government achievements of ‘great interest and vital importance’ under the slogan of ‘Developing Queensland’. Each Minister’s on-air spot carried a tag-line, including ‘Building for the Future’ by Minister for Public Works, Harry Bruce.
‘Beattie burger’ with sunrays
Political parties have turned the government slogan and branded campaign image into a visual art form, not least with the commissioning of a leading graphic designer (the future State governor’s spouse) to create the Beattie government’s distinctive logo, a ‘map’ of Queensland comprised of sunrays later dubbed the ‘burger and fries’. Beattie’s argument that a forward-looking government needed a modern ‘corporate’ image seemed to reflect Queenslanders’ aspirations for a renewed and more confident State identity in the post-Fitzgerald and post-Expo ‘88 climate. Similarly, and indicative of the way many residents once viewed their State, National Party election campaign posters in the mid-1980s featured an illustrated image of a beaming Premier Joh Bjelke-Petersen (1968-87), captioned simply and assuredly with ‘Joh’ and ‘Queensland’, as if the two were synonymous. Few people reacted when the logo for the Bjelke-Petersen government’s ‘Enterprise Queensland’ economic initiative portrayed a map of Australia on a stylised globe, as if Queensland and the nation were one and the same.
Bjelke-Petersen had resurrected an old Labor Party slogan, ‘Queensland Unlimited’ – the radio broadcast tag-line used by Forgan Smith’s Minister for Transport, John Dash – as the title for his five-minute promotional television program beamed into the State’s living rooms on Sunday evenings before 6pm news bulletins. With this recycling of a 1930s, pre-television-era slogan, and borrowing heavily from Forgan Smith’s example, the marriage of widespread visual medium and an ever-present Premier’s image was complete. While Joh’s ‘Queensland Unlimited’ became a byword recognised around the nation for excessive government self-promotion, the program’s cosy style and subtle sloganeering helped further entrench the National Party in office. The show also helped embed another of Bjelke-Petersen’s oft-used slogans in the public consciousness, reinforcing the message, derived from the 1959 State centenary anthem, that ‘life is great in the Sunshine State’.
The television program lasted beyond Bjelke-Petersen’s demise into the premiership of his successor, Premier Mike Ahern (1987-89), when it was relabelled ‘Queensland 2000’ with an obvious nod to Ahern’s technology-focused government agenda – ‘Quality Queensland’. National Party Premier Rob Borbidge (1996-98) amended this media approach when his government produced an annual newspaper lift-out section titled ‘Your Queensland’. In it, the government laid out its achievements and service delivery record over the preceding year. Premier Wayne Goss’ (1989-96) branding of Queensland as the ‘leading state’, a message reinforced in a much less colourful economic policy ‘blueprint’ published by the government, laid out plans for government action in years ahead rather than a snapshot of the year just passed. No matter how the messages were packaged, Queenslanders by then were used to their political leaders’ habit of spruiking the State via slick slogans and strategic branding.
Table: Queensland Government promotional slogans and strategy ‘brands’, 1982-2012
Premier | Slogan |
---|---|
Bjelke-Petersen | ‘Enterprise Queensland’ (1982) |
Bjelke-Petersen | ‘Queensland: a Stronger State, a Better Life’ (1985) |
Ahern | ‘Quality Queensland’ (1988) |
Goss | ‘Queensland, Leading State’ (1992) |
Borbidge | ‘Your Queensland’ (1997) |
Beattie | ‘Queensland the Smart State’ (1998) |
Bligh | ‘Toward Q2: Tomorrow’s Queensland’ (2008) |
Newman | ‘Great state. Great opportunity.’ (2012) |
Smart State
The pinnacle of modern government sloganeering, though, arrived with the promotion of Peter Beattie’s ‘Smart State’ strategy from the late 1990s onwards. Although derided at home by many, Beattie believed – and ultimately was proved right – that the snappy slogan would be accepted and embraced, most importantly by foreign and corporate investors willing to ‘buy into’ the premier’s positive and expansive vision for the State’s development. Queensland’s reputation as a State of ‘can do’ entrepreneurs – more lately refashioned into something akin to ‘Newmanism’ – and unrivalled investor appeal owes much to the efforts of State governments through such promotional campaigns.
The idea of Queensland as a ‘smart’ State at first seemed little more than a brash, tongue-in-cheek marketing ploy. In 2001, buoyed by his landslide electoral victory, Beattie planned to alter the slogan on motorists’ licence plates to read ‘Queensland – The Smart State’ instead of the usual ‘Sunshine State’. While other States have altered their licence plates from time to time with little fuss – New South Wales from the grandiose ‘Premier State’ to self-evident ‘First State’, Victoria from ‘Garden State’ to the debatable ‘The Place to Be’, or Western Australia feverishly adopting ‘State of Excitement’ in the 1980s – Beattie seemed to underestimate his constituents’ aversion to the change. The public outcry, fed by an overtly critical Brisbane Courier-Mail and other Murdoch-owned papers throughout the State, led to a prompt reversal of policy so that motorists had a choice between the two versions. The slogan, though, quickly became the Premier’s mantra, and Beattie’s repeating the slogan ad nauseam was echoed by Cabinet Ministers keen to ride on the coat-tails of an increasingly popular Premier.
‘Smart State’ was another means of ‘selling’ Queensland, much as State governments had done in decades past through tourism slogans and industry expositions. The success of the ‘Smart State’ agenda probably represents the height of government sloganeering, at least as influential as ‘Sunshine State’ before it. Through his ‘Smart State’ agenda, eye-catching in its support for scientific research and an emerging biotechnology industry, Beattie also refashioned Bjelke-Petersen’s brand of Queensland ‘particularism’ into something more like Queensland ‘exceptionalism’, boosting the State’s image and confidence at the same time. As a recipe for political and electoral success, it was hard to beat. In the same period, the best that other governments could offer by way of vision statements was the ‘New South Wales State Plan’ or the ‘Canberra Plan’.
Premier Anna Bligh’s (2007-12) ‘Tomorrow’s Queensland’ (or ‘Q2’) strategy attempted to trump ‘Smart State’, but ambiguity and ineffective marketing meant that the slogan failed to elicit public enthusiasm, condemnation or even recognition. While ‘Sunshine State’ took a back seat during this period, Beattie still had his own ‘Where else but Queensland?’ and the long-lived ‘Beautiful one day, perfect the next’ tourism slogans to continue tempting holiday-makers and retirees over Queensland’s border. While Bligh jettisoned Beattie’s signature tourism marketing slogan, replacing it in 2010 with ‘Queensland, where Australia shines’, the message and imagery of Queensland’s exceptionality remained the same. Still, Bligh’s slogan provided a ready platform to assert Queensland’s resilience in the face of unprecedented flooding and cyclonic disasters in the summers of 2010 and 2011, when it was refashioned to the stoic ‘nothing beats Queensland’.
Not so smart State
Beattie’s ‘Smart State’ slogan had been used informally by members of the earlier Goss government, spruiking Queensland’s emerging IT industry, as well as by the Kennett Victorian government in the mid-1990s. Campbell Newman trumpeted his Liberal National Party (LNP) as the ‘can do’ team – led by ‘can do Campbell’ – in the run-in to the 2012 State election, despite Beattie having earlier branded his own administration as a ‘can do government’. When it comes to sloganeering, there’s little new under the Queensland sun.
When Newman’s LNP swept to office in a resounding victory at the 2012 State election, among the many expected changes was the expulsion of the previous government’s slogans and ‘brands’. The new government quickly jettisoned all mention of ‘Smart State’ or ‘Q2’ – such is the fate of branded strategies that have outlived their usefulness – and soon began replacing the government logo with its own version. In ditching the Beattie/Bligh logo of the map of Queensland overlain with rays of sun, the incoming LNP government reverted to a traditional colonial-era coat of arms logo, albeit one that had been changed a little over time, which had graced generations of government publications and letterheads. The ‘new’ logo was introduced via the government’s online presence; intriguingly, the image is almost indecipherable when used on government web pages.
Despite all of this, the Beattie-era symbolism persisted in a real and physical sense in the landscape, its entire removal presumably too costly to justify, from signage at sporting fields and hospital wards to government-sponsored websites and even the government’s own Executive Building. Newman’s administration did, however, establish its own slogan – ‘Great state. Great opportunity.’ – the first government slogan not to feature the State’s name. Whether ‘Great state’, like ‘Smart State’, earns its own registered trademark and becomes the accepted by-word for the Newman government’s program remains to be seen.
References and Further reading (Note):
Jennifer Craik, Resorting to tourism: cultural policies for tourist development in Australia, Allen & Unwin, 1991
References and Further reading (Note):
Ross Fitzgerald, Lyndon Megarrity and David Symons, Made in Queensland: a new history, University of Queensland Press, 2009
References and Further reading (Note):
Denis Murphy, Roger Joyce, Margaret Cribb and Rae Wear, eds, The premiers of Queensland, 3rd ed, University of Queensland Press, 2003
References and Further reading (Note):
Chris Salisbury, “The ‘smart’ state: building a knowledge economy in Queensland since the 1990s,” PhD thesis, University of Queensland, 2013
References and Further reading (Note):
Peter Spearritt and Marion Stell, ‘Triumph in the tropics: selling Queensland,’ UQ Art Museum exhibition catalogue, 2009