- Home
- Quintessential Queensland
- Distinctiveness
- Perceptions
- Perceptions: how people understand the landscape
- From runs to closer settlement
- Geological survey of Queensland
- Mapping a new colony, 1860-80
- Mapping the Torres Strait: from TI to Magani Malu and Zenadh Kes
- Order in Paradise: a colonial gold field
- Queensland atlas, 1865
- Queensland mapping since 1900
- Queensland: the slogan state
- Rainforests of North Queensland
- Walkabout
- Queenslanders
- Queenslanders: people in the landscape
- Aboriginal heroes: episodes in the colonial landscape
- Australian South Sea Islanders
- Cane fields and solidarity in the multiethnic north
- Chinatowns
- Colonial immigration to Queensland
- Greek Cafés in the landscape of Queensland
- Hispanics and human rights in Queensland’s public spaces
- Italians in north Queensland
- Lebanese in rural Queensland
- Queensland clothing
- Queensland for ‘the best kind of population, primary producers’
- Too remote, too primitive and too expensive: Scandinavian settlers in colonial Queensland
- Distance
- Movement
- Movement: how people move through the landscape
- Air travel in Queensland
- Bicycling through Brisbane, 1896
- Cobb & Co
- Journey to Hayman Island, 1938
- Law and story-strings
- Mobile kids: children’s explorations of Cherbourg
- Movable heritage of North Queensland
- Passages to India: military linkages with Queensland
- The Queen in Queensland, 1954
- Transient Chinese in colonial Queensland
- Travelling times by rail
- Pathways
- Pathways: how things move through the landscape and where they are made
- Aboriginal dreaming paths and trading ways
- Chinese traders in the nineteenth century
- Introducing the cane toad
- Pituri bag
- Press and the media
- Radio in Queensland
- Red Cross Society and World War I in Queensland
- The telephone in Queensland
- Where did the trams go?
- ‘A little bit of love for me and a murder for my old man’: the Queensland Bush Book Club
- Movement
- Division
- Separation
- Separation: divisions in the landscape
- Asylums in the landscape
- Brisbane River
- Changing landscape of radicalism
- Civil government boundaries
- Convict Brisbane
- Dividing Queensland - Pauline Hanson’s One Nation Party
- High water mark: the shifting electoral landscape 2001-12
- Hospitals in the landscape
- Indigenous health
- Palm Island
- Secession movements
- Separate spheres: gender and dress codes
- Separating land, separating culture
- Stone walls do a prison make: law on the landscape
- The 1967 Referendum – the State comes together?
- Utopian communities
- Whiteness in the tropics
- Conflict
- Conflict: how people contest the landscape
- A tale of two elections – One Nation and political protest
- Battle of Brisbane – Australian masculinity under threat
- Dangerous spaces - youth politics in Brisbane, 1960s-70s
- Fortress Queensland 1942-45
- Grassy hills: colonial defence and coastal forts
- Great Shearers’ Strike of 1891
- Iwasaki project
- Johannes Bjelke-Petersen: straddling a barbed wire fence
- Mount Etna: Queensland's longest environmental conflict
- Native Police
- Skyrail Cairns (Research notes)
- Staunch but conservative – the trade union movement in Rockhampton
- The Chinese question
- Thomas Wentworth Wills and Cullin-la-ringo Station
- Separation
- Dreaming
- Imagination
- Imagination: how people have imagined Queensland
- Brisbane River and Moreton Bay: Thomas Welsby
- Changing views of the Glasshouse Mountains
- Imagining Queensland in film and television production
- Jacaranda
- Literary mapping of Brisbane in the 1990s
- Looking at Mount Coot-tha
- Mapping the Macqueen farm
- Mapping the mythic: Hugh Sawrey's ‘outback’
- People’s Republic of Woodford
- Poinsettia city: Brisbane’s flower
- The Pineapple Girl
- The writers of Tamborine Mountain
- Vance and Nettie Palmer
- Memory
- Memory: how people remember the landscape
- Anna Wickham: the memory of a moment
- Berajondo and Mill Point: remembering place and landscape
- Cemeteries in the landscape
- Landscapes of memory: Tjapukai Dance Theatre and Laura Festival
- Monuments and memory: T.J. Byrnes and T.J. Ryan
- Out where the dead towns lie
- Queensland in miniature: the Brisbane Exhibition
- Roadside ++++ memorials
- Shipwrecks as graves
- The Dame in the tropics: Nellie Melba
- Tinnenburra
- Vanished heritage
- War memorials
- Curiosity
- Curiosity: knowledge through the landscape
- A playground for science: Great Barrier Reef
- Duboisia hopwoodii: a colonial curiosity
- Great Artesian Basin: water from deeper down
- In search of Landsborough
- James Cook’s hundred days in Queensland
- Mutual curiosity – Aboriginal people and explorers
- Queensland Acclimatisation Society
- Queensland’s own sea monster: a curious tale of loss and regret
- St Lucia: degrees of landscape
- Townsville’s Mount St John Zoo
- Imagination
- Development
- Exploitation
- Transformation
- Transformation: how the landscape has changed and been modified
- Cultivation
- Empire and agribusiness: the Australian Mercantile Land and Finance Company
- Gold
- Kill, cure, or strangle: Atherton Tablelands
- National parks in Queensland
- Pastoralism 1860s–1915
- Prickly pear
- Repurchasing estates: the transformation of Durundur
- Soil
- Sugar
- Sunshine Coast
- The Brigalow
- Walter Reid Cultural Centre, Rockhampton: back again
- Survival
- Survival: how the landscape impacts on people
- Brisbane floods: 1893 to the summer of sorrow
- City of the Damned: how the media embraced the Brisbane floods
- Depression era
- Did Clem Jones save Brisbane from flood?
- Droughts and floods and rail
- Missions and reserves
- Queensland British Food Corporation
- Rockhampton’s great flood of 1918
- Station homesteads
- Tropical cyclones
- Wreck of the Quetta
- Pleasure
- Pleasure: how people enjoy the landscape
- Bushwalking in Queensland
- Cherbourg that’s my home: celebrating landscape through song
- Creating rural attractions
- Festivals
- Queer pleasure: masculinity, male homosexuality and public space
- Railway refreshment rooms
- Regional cinema
- Schoolies week: a festival of misrule
- The sporting landscape
- Visiting the Great Barrier Reef
Queensland's geographical and cultural diversity is reflected in its festivals. From the far north to the west and the south, festivals form a significant part of the economic, cultural and social fabric of the State's towns and cities. Festivals can generate significant income for community groups and businesses. They are often run by volunteer groups, such as Rotary or Apex, or a committee of community members in conjunction with local government. Just as important is the opportunity festivals provide residents and visitors to celebrate together, reinforce community bonds and develop senses of community in a friendly, fun atmosphere.
Italian Festival, Ingham
Some Queensland festivals, like Ingham's Australian Italian Festival, celebrate a significant ethnic group, their culture, and contribution to the economic, social, cultural, and gastronomic enrichment of the region in which they settled. The Australian Italian Festival celebrates all things Italian, with Italian food, drink, and song, and floats filled with stereotypical Italian figures. However, the festival is for Australian Italians, and therefore has many ‘Australian’ events and performances as well, including Indigenous Australians, bush poets breakfast, a pub bus cruise of Hinchinbrook Shire, and a greasy pole climbing competition. This suggests that the festival has been carefully constructed to not only commemorate a major event in the town's history – the migration of Italians to north Queensland – but also to ensure that many communities of the Ingham region are represented and involved in one, all-encompassing event.
The Croc Festival, Weipa
Across the remote north of Queensland, a major festival of song and dance is held in indigenous communities each year. The Croc Festival, part of the Rock Eisteddfod group of festivals, was designed as an event to provide not only fun and entertainment, but also information and help to follow pathways towards self-fulfilment without drugs and alcohol. The Croc Festival began in 1998 in Weipa, and has been hosted on Thursday Island four times, the event has spread to the Northern Territory, northern Western Australia, western New South Wales and rural Victoria after the success of the Queensland event. The event has been credited with bringing Aboriginal culture to a wider audience, and providing motivation for young Indigenous children to attend school, highlighting career opportunities, promoting healthy lifestyles, and fostering pride and cultural awareness in Indigenous communities.
Warwick Jumpers and Jazz Festival
Other festivals commemorate Queensland's climate. Two examples of this kind of event are the Warwick Jumpers and Jazz Festival and the Toowoomba Carnival of Flowers. The Warwick Jumpers and Jazz Festival celebrates ‘all that is wonderful about winter’, and includes a different take on the cold Darling Downs winter, by placing jumpers – or ‘textile sculptures’ – on 80 deciduous trees in the main street of town. This festival makes use of the weather to promote a music festival with a special novelty feature, the jumper-wearing trees.
Toowoomba’s Carnival of Flowers
In Toowoomba, climate is celebrated in its displays of springtime flowers. The ‘Garden City’, as it is called in the region, holds an annual Carnival of Flowers in the last full week of September, and has done so since 1949. Floral floats, marching bands, and community groups begin the event with a parade, and visitors can attend the private gardens of Toowoomba residents and organisations, talk plants and gardening with the owners, as well as enjoy the carefully prepared City Council parks. The City Council offers enormous support by promoting the event as well as ensuring that the city's parks are in full bloom, with beautiful flowers and well-manicured lawns for the carnival.
Mount Isa Rodeo
The Mount Isa City Council offers support to their largest annual event, the Mount Isa Rotary Rodeo. Celebrating the outback, this major sporting event began in 1959. In 2007, the event moved from its home of Kalkadoon Park to a new, council-built rodeo arena and stadium, Buchanan Park. The event goes well beyond sport: the city centre is closed off to traffic, becoming a giant fairground with carnival rides, dancing, and entertainment. A Mardi Gras parade runs through the streets, and a Ute Muster is held on the rodeo grounds. The event is run by the local Rotary Club, and has donated more than $2.5 million to charitable, community, cultural, sporting and service organisations over the years. The centrepiece of the event is, of course, the Rodeo itself, with over $200,000 in prize money on offer, the ‘richest rodeo in the Southern Hemisphere’.
In their own unique ways, these events perform the work of binding the community together, promoting positive outcomes for the region by building social capital by providing opportunities for volunteer work. These festivals also increase town revenues by drawing visitors to the town, celebrating either a local tradition, historical event, or an invented tradition that creates a focal point for the local community and for visitors. These events serve to demonstrate the diverse geographies, ethnicities, and histories of Queensland, from the sugar cane country's North Queensland Italians to Indigenous communities, from avid gardeners in fertile Toowoomba to the arid hills of outback Mount Isa.
The festival town: Gympie
Gympie has developed into a festival town (a town or city that hosts three or more annual festivals or events) over the past 100 years or more, hosting a very successful agricultural show since 1877, the historic Gold Rush Festival, which began in 1948; the National Country Music Muster (1982), and the Heart of Gold International Film Festival, the town's newest event, which began in 2006.
While most towns hold a Show, the Gympie District Show holds pride of place as the only non-Royal Show to have hosted the Australian National Showjumping Championships (twice), an important event for Olympic qualification. The Gympie Gold Rush Festival, originally called the Gympie Birthday Celebrations, is based on the story of the founding of Gympie – the 1867 discovery of gold in what is now the centre of town.
The Muster grew out of a celebration of local country music band the Webb Brothers, who in 1982 won their second Golden Guitar, and coincidentally were also celebrating the centenary of their family's farm, Thornside. It is now one of the major country music festivals on the Australian scene, and celebrated its 25 year anniversary in 2006.
The Heart of Gold International Film Festival, whose name is derived, in part, from Gympie's gold rush past, has been held in October, close to the date of Gympie's founding (16 October), but from 2009 was held in March.
This diverse range of festivals shows the ways in which this rural town is promoting itself as a desirable destination, based on its history, rural lifestyle, and picturesque country setting. This gallery of festivals is also a way of responding to the ‘rural crisis’ that has seen many rural areas face great hardships as a result of drought, service withdrawal, and population loss to cities. Other cities and towns that have transformed themselves into festival towns include Warwick and Charters Towers, each of which hosts at least four ongoing and long-standing festivals each year.