- Home
- Quintessential Queensland
- Distinctiveness
- Perceptions
- Perceptions: how people understand the landscape
- From runs to closer settlement
- Geological survey of Queensland
- Mapping a new colony, 1860-80
- Mapping the Torres Strait: from TI to Magani Malu and Zenadh Kes
- Order in Paradise: a colonial gold field
- Queensland atlas, 1865
- Queensland mapping since 1900
- Queensland: the slogan state
- Rainforests of North Queensland
- Walkabout
- Queenslanders
- Queenslanders: people in the landscape
- Aboriginal heroes: episodes in the colonial landscape
- Australian South Sea Islanders
- Cane fields and solidarity in the multiethnic north
- Chinatowns
- Colonial immigration to Queensland
- Greek Cafés in the landscape of Queensland
- Hispanics and human rights in Queensland’s public spaces
- Italians in north Queensland
- Lebanese in rural Queensland
- Queensland clothing
- Queensland for ‘the best kind of population, primary producers’
- Too remote, too primitive and too expensive: Scandinavian settlers in colonial Queensland
- Distance
- Movement
- Movement: how people move through the landscape
- Air travel in Queensland
- Bicycling through Brisbane, 1896
- Cobb & Co
- Journey to Hayman Island, 1938
- Law and story-strings
- Mobile kids: children’s explorations of Cherbourg
- Movable heritage of North Queensland
- Passages to India: military linkages with Queensland
- The Queen in Queensland, 1954
- Transient Chinese in colonial Queensland
- Travelling times by rail
- Pathways
- Pathways: how things move through the landscape and where they are made
- Aboriginal dreaming paths and trading ways
- Chinese traders in the nineteenth century
- Introducing the cane toad
- Pituri bag
- Press and the media
- Radio in Queensland
- Red Cross Society and World War I in Queensland
- The telephone in Queensland
- Where did the trams go?
- ‘A little bit of love for me and a murder for my old man’: the Queensland Bush Book Club
- Movement
- Division
- Separation
- Separation: divisions in the landscape
- Asylums in the landscape
- Brisbane River
- Changing landscape of radicalism
- Civil government boundaries
- Convict Brisbane
- Dividing Queensland - Pauline Hanson’s One Nation Party
- High water mark: the shifting electoral landscape 2001-12
- Hospitals in the landscape
- Indigenous health
- Palm Island
- Secession movements
- Separate spheres: gender and dress codes
- Separating land, separating culture
- Stone walls do a prison make: law on the landscape
- The 1967 Referendum – the State comes together?
- Utopian communities
- Whiteness in the tropics
- Conflict
- Conflict: how people contest the landscape
- A tale of two elections – One Nation and political protest
- Battle of Brisbane – Australian masculinity under threat
- Dangerous spaces - youth politics in Brisbane, 1960s-70s
- Fortress Queensland 1942-45
- Grassy hills: colonial defence and coastal forts
- Great Shearers’ Strike of 1891
- Iwasaki project
- Johannes Bjelke-Petersen: straddling a barbed wire fence
- Mount Etna: Queensland's longest environmental conflict
- Native Police
- Skyrail Cairns (Research notes)
- Staunch but conservative – the trade union movement in Rockhampton
- The Chinese question
- Thomas Wentworth Wills and Cullin-la-ringo Station
- Separation
- Dreaming
- Imagination
- Imagination: how people have imagined Queensland
- Brisbane River and Moreton Bay: Thomas Welsby
- Changing views of the Glasshouse Mountains
- Imagining Queensland in film and television production
- Jacaranda
- Literary mapping of Brisbane in the 1990s
- Looking at Mount Coot-tha
- Mapping the Macqueen farm
- Mapping the mythic: Hugh Sawrey's ‘outback’
- People’s Republic of Woodford
- Poinsettia city: Brisbane’s flower
- The Pineapple Girl
- The writers of Tamborine Mountain
- Vance and Nettie Palmer
- Memory
- Memory: how people remember the landscape
- Anna Wickham: the memory of a moment
- Berajondo and Mill Point: remembering place and landscape
- Cemeteries in the landscape
- Landscapes of memory: Tjapukai Dance Theatre and Laura Festival
- Monuments and memory: T.J. Byrnes and T.J. Ryan
- Out where the dead towns lie
- Queensland in miniature: the Brisbane Exhibition
- Roadside ++++ memorials
- Shipwrecks as graves
- The Dame in the tropics: Nellie Melba
- Tinnenburra
- Vanished heritage
- War memorials
- Curiosity
- Curiosity: knowledge through the landscape
- A playground for science: Great Barrier Reef
- Duboisia hopwoodii: a colonial curiosity
- Great Artesian Basin: water from deeper down
- In search of Landsborough
- James Cook’s hundred days in Queensland
- Mutual curiosity – Aboriginal people and explorers
- Queensland Acclimatisation Society
- Queensland’s own sea monster: a curious tale of loss and regret
- St Lucia: degrees of landscape
- Townsville’s Mount St John Zoo
- Imagination
- Development
- Exploitation
- Transformation
- Transformation: how the landscape has changed and been modified
- Cultivation
- Empire and agribusiness: the Australian Mercantile Land and Finance Company
- Gold
- Kill, cure, or strangle: Atherton Tablelands
- National parks in Queensland
- Pastoralism 1860s–1915
- Prickly pear
- Repurchasing estates: the transformation of Durundur
- Soil
- Sugar
- Sunshine Coast
- The Brigalow
- Walter Reid Cultural Centre, Rockhampton: back again
- Survival
- Survival: how the landscape impacts on people
- Brisbane floods: 1893 to the summer of sorrow
- City of the Damned: how the media embraced the Brisbane floods
- Depression era
- Did Clem Jones save Brisbane from flood?
- Droughts and floods and rail
- Missions and reserves
- Queensland British Food Corporation
- Rockhampton’s great flood of 1918
- Station homesteads
- Tropical cyclones
- Wreck of the Quetta
- Pleasure
- Pleasure: how people enjoy the landscape
- Bushwalking in Queensland
- Cherbourg that’s my home: celebrating landscape through song
- Creating rural attractions
- Festivals
- Queer pleasure: masculinity, male homosexuality and public space
- Railway refreshment rooms
- Regional cinema
- Schoolies week: a festival of misrule
- The sporting landscape
- Visiting the Great Barrier Reef
By:
Maree Stanley In spring the blooms of the Jacaranda tree infuse the landscape with a distinct shade of purple. Jacaranda trees have been planted in both Queensland and New South Wales cities and towns to add colour and shade to public spaces and private gardens. The flowering cycle of the tree is dependent on the weather conditions, early rain can result in early flowering. Towards the end of winter the small fernlike leaves of the Jacaranda turn yellow and fall off. The branches remain bare until sometime between September and November, when the entire tree blooms in magnificent purple flowers. The flowers last a short while on the tree before dropping to the ground where they form an incandescent purple carpet. However, if it rains, as is likely at this time of year, the fallen blooms quickly break down turning slimy and brown. By December the tree is fully leaved, providing shade during the hottest part of the year.
Cultivation
The Brisbane Botanic Garden, established in 1855, received mature plants, seedlings and seeds from around the world and used these, along with those collected from other parts of Australia, to test what could be cultivated in Queensland. Director of the Garden, Walter Hill (1820-1904) had to provide an annual report to the Queensland Legislative Council on the success and failures of plantings. In 1870 he reported on the planting of several types of large shrubs and trees, including Jacaranda Mimosifolia which he had planted ‘on either side of the gravel path leading from the George St Entrance to the interacting gravel walk’. Of the trees planted there Hill wrote, ‘All these are very beautiful when in blossom, and some already wear their honours, and all give goodly promise for the future’.
Several years later Jacaranda Caroba was received from William Bull, a nurseryman in London, who had shipped a number of ornamental plants to the garden, including this particular species of Jacaranda. Jacaranda trees and seeds were soon available for distribution to other branch botanic gardens at Rockhampton, Maryborough and Toowoomba. Ornamental plants were increasingly appreciated during this early period. Walter Hill declared that ‘it is pleasing to note the desire by the officials in various parts of the colony to ornament the grounds’.
A weakness of the Jacaranda tree became apparent following the 1893 Brisbane floods. The Brisbane Botanic Garden curator at the time, Phillip McMahon, included a note on the mature Jacaranda trees in his annual report following the flood, ‘this beautiful tree does not seem to stand floods well. Several specimens perished even those which were not deeply immersed’.
There are thirty species in the Jacaranda genus but the most widespread in Queensland is Jacaranda Mimosifolia. Somewhat unusually, in Australia the Jacaranda is generally known by its botanical name. In other parts of the world it has other names such as Brazilian Rose Wood, Fern Tree and Black Poui. Jacaranda trees are natives of South America but grow in many warm parts of Australia.
Beautification
As the population of Brisbane grew there was increasing emphasis on the beautification of public landscapes and the burgeoning consideration of planned recreational spaces. One of the most revered plantings is located within New Farm Park, Brisbane. Brisbane City Council purchased this park in 1914 and under the guidance of Brisbane Parks Superintendent Henry Moore, one hundred Jacaranda trees were planted along the Ring Road. A stroll through the flowering Jacarandas has been a popular pastime for visitors and locals since the trees matured. Harry Oakman is also credited with the proliferation of Jacaranda trees in Brisbane parks and public spaces. Oakman was responsible for the creation and rejuvenation of hundreds of parks in Brisbane during his time as Parks Superintendent of the BCC Parks Department from 1946 to 1963. During this period many public spaces were planted with brightly coloured subtropical trees. Although Oakman left Brisbane in the 1960s to become Canberra’s first Chief Landscape Architect, Jacarandas continued to be used by Brisbane City Council to liven up streetscapes in the 1970s. Jacaranda trees were offered free to residents as part of a street tree planting scheme, albeit with some conditions. A range of ornamental trees and shrubs were offered as part of this beautification process but only blocks with wide reserves were deemed suitable for Jacaranda trees. In return residents agreed to plant and care for the council supplied trees.
Jacaranda Press
The Brisbane publishing house Jacaranda Press was established in 1954 and run by publisher and environmentalist Brian Clouston from printers H. Pol and Co premises at 73 Elizabeth Street, Brisbane. Jacaranda Press specialised in material about Queensland and the natural environment. It published many influential Queensland texts including Harry Oakman, Gardening in Queensland (1960) and Clem Lack, Daughter of the Sun (1959). Clouston was a founding member of the Wildlife Preservation Society of Queensland with poet Judith Wright, artist and author Kathleen McArthur and naturalist David Fleay in 1962. Jacaranda Press was bought out in 1976 by John Wiley who renamed it Jacaranda Wiley.
Celebrations and Folklore
Jacaranda trees have provided inspiration for festivals, paintings, poetry, plays, stories, art and folklore. While the longest running Australian festival centred on the Jacaranda has been held in Grafton, New South Wales, since 1935, Goodna near Ipswich also hosts a three day festival. The Goodna Jacaranda Festival is held at the end of October and features market stalls, a fun run, side show alley and performances from local schools and other acts. The Jacaranda has also inspired artists. Under the Jacaranda painted by R. Godfrey Rivers was purchased in 1903 by the Queensland Art Gallery and is thought to portray the first Jacaranda grown in Australia. The tree featured in the painting was planted by Walter Hill at the Botanic Gardens in 1864. In the painting the artist and his future wife, Selina Bell, are taking refreshments under the tree which is in full bloom.
The flowering season of Jacaranda has real and imaged meaning for students at the last year of high school and at university. The blooms signal the imminent exam season and some teachers warn that those who have not started studying by the time the trees start flowering cannot expect to do well in their exams.
Since their introduction to Queensland, Jacaranda trees have spread to many parts of the state. When in bloom the trees provide an injection of purple into the landscape. The purple flowers of the Jacaranda tree have stimulated imaginations, leading to the development of folklore, art and festival celebrations.
References and Further reading (Note):
Harry Oakman, Gardening in Queensland, Brisbane, Jacaranda Press, 1960
References and Further reading (Note):
Ross McKinnon, Malcolm Bunzli and Ray Steward, 'Harry Oakman (1906-2002): A Retrospective of his Life and Work', Queensland Review Special Issue Tropical Pleasures A Focus on Queensland Gardens: Papers of the 24th National Australian Garden History Society, Brisbane, 11-13 July 2003
References and Further reading (Note):
Harry Oakman Collection, Fryer Library, University of Queensland, UQFL358