- Home
- Quintessential Queensland
- Distinctiveness
- Perceptions
- Perceptions: how people understand the landscape
- From runs to closer settlement
- Geological survey of Queensland
- Mapping a new colony, 1860-80
- Mapping the Torres Strait: from TI to Magani Malu and Zenadh Kes
- Order in Paradise: a colonial gold field
- Queensland atlas, 1865
- Queensland mapping since 1900
- Queensland: the slogan state
- Rainforests of North Queensland
- Walkabout
- Queenslanders
- Queenslanders: people in the landscape
- Aboriginal heroes: episodes in the colonial landscape
- Australian South Sea Islanders
- Cane fields and solidarity in the multiethnic north
- Chinatowns
- Colonial immigration to Queensland
- Greek Cafés in the landscape of Queensland
- Hispanics and human rights in Queensland’s public spaces
- Italians in north Queensland
- Lebanese in rural Queensland
- Queensland clothing
- Queensland for ‘the best kind of population, primary producers’
- Too remote, too primitive and too expensive: Scandinavian settlers in colonial Queensland
- Distance
- Movement
- Movement: how people move through the landscape
- Air travel in Queensland
- Bicycling through Brisbane, 1896
- Cobb & Co
- Journey to Hayman Island, 1938
- Law and story-strings
- Mobile kids: children’s explorations of Cherbourg
- Movable heritage of North Queensland
- Passages to India: military linkages with Queensland
- The Queen in Queensland, 1954
- Transient Chinese in colonial Queensland
- Travelling times by rail
- Pathways
- Pathways: how things move through the landscape and where they are made
- Aboriginal dreaming paths and trading ways
- Chinese traders in the nineteenth century
- Introducing the cane toad
- Pituri bag
- Press and the media
- Radio in Queensland
- Red Cross Society and World War I in Queensland
- The telephone in Queensland
- Where did the trams go?
- ‘A little bit of love for me and a murder for my old man’: the Queensland Bush Book Club
- Movement
- Division
- Separation
- Separation: divisions in the landscape
- Asylums in the landscape
- Brisbane River
- Changing landscape of radicalism
- Civil government boundaries
- Convict Brisbane
- Dividing Queensland - Pauline Hanson’s One Nation Party
- High water mark: the shifting electoral landscape 2001-12
- Hospitals in the landscape
- Indigenous health
- Palm Island
- Secession movements
- Separate spheres: gender and dress codes
- Separating land, separating culture
- Stone walls do a prison make: law on the landscape
- The 1967 Referendum – the State comes together?
- Utopian communities
- Whiteness in the tropics
- Conflict
- Conflict: how people contest the landscape
- A tale of two elections – One Nation and political protest
- Battle of Brisbane – Australian masculinity under threat
- Dangerous spaces - youth politics in Brisbane, 1960s-70s
- Fortress Queensland 1942-45
- Grassy hills: colonial defence and coastal forts
- Great Shearers’ Strike of 1891
- Iwasaki project
- Johannes Bjelke-Petersen: straddling a barbed wire fence
- Mount Etna: Queensland's longest environmental conflict
- Native Police
- Skyrail Cairns (Research notes)
- Staunch but conservative – the trade union movement in Rockhampton
- The Chinese question
- Thomas Wentworth Wills and Cullin-la-ringo Station
- Separation
- Dreaming
- Imagination
- Imagination: how people have imagined Queensland
- Brisbane River and Moreton Bay: Thomas Welsby
- Changing views of the Glasshouse Mountains
- Imagining Queensland in film and television production
- Jacaranda
- Literary mapping of Brisbane in the 1990s
- Looking at Mount Coot-tha
- Mapping the Macqueen farm
- Mapping the mythic: Hugh Sawrey's ‘outback’
- People’s Republic of Woodford
- Poinsettia city: Brisbane’s flower
- The Pineapple Girl
- The writers of Tamborine Mountain
- Vance and Nettie Palmer
- Memory
- Memory: how people remember the landscape
- Anna Wickham: the memory of a moment
- Berajondo and Mill Point: remembering place and landscape
- Cemeteries in the landscape
- Landscapes of memory: Tjapukai Dance Theatre and Laura Festival
- Monuments and memory: T.J. Byrnes and T.J. Ryan
- Out where the dead towns lie
- Queensland in miniature: the Brisbane Exhibition
- Roadside ++++ memorials
- Shipwrecks as graves
- The Dame in the tropics: Nellie Melba
- Tinnenburra
- Vanished heritage
- War memorials
- Curiosity
- Curiosity: knowledge through the landscape
- A playground for science: Great Barrier Reef
- Duboisia hopwoodii: a colonial curiosity
- Great Artesian Basin: water from deeper down
- In search of Landsborough
- James Cook’s hundred days in Queensland
- Mutual curiosity – Aboriginal people and explorers
- Queensland Acclimatisation Society
- Queensland’s own sea monster: a curious tale of loss and regret
- St Lucia: degrees of landscape
- Townsville’s Mount St John Zoo
- Imagination
- Development
- Exploitation
- Transformation
- Transformation: how the landscape has changed and been modified
- Cultivation
- Empire and agribusiness: the Australian Mercantile Land and Finance Company
- Gold
- Kill, cure, or strangle: Atherton Tablelands
- National parks in Queensland
- Pastoralism 1860s–1915
- Prickly pear
- Repurchasing estates: the transformation of Durundur
- Soil
- Sugar
- Sunshine Coast
- The Brigalow
- Walter Reid Cultural Centre, Rockhampton: back again
- Survival
- Survival: how the landscape impacts on people
- Brisbane floods: 1893 to the summer of sorrow
- City of the Damned: how the media embraced the Brisbane floods
- Depression era
- Did Clem Jones save Brisbane from flood?
- Droughts and floods and rail
- Missions and reserves
- Queensland British Food Corporation
- Rockhampton’s great flood of 1918
- Station homesteads
- Tropical cyclones
- Wreck of the Quetta
- Pleasure
- Pleasure: how people enjoy the landscape
- Bushwalking in Queensland
- Cherbourg that’s my home: celebrating landscape through song
- Creating rural attractions
- Festivals
- Queer pleasure: masculinity, male homosexuality and public space
- Railway refreshment rooms
- Regional cinema
- Schoolies week: a festival of misrule
- The sporting landscape
- Visiting the Great Barrier Reef
By:
Sheilagh O'Brien The young ‘Nellie Melba’ moved with her family to Queensland in 1881, living around the Mackay sugar region until fleeing the tropics in 1883 to launch her singing career in Melbourne. Her two years in Queensland were miserable. Despite this, the ‘Melba myth’ remains central to the heritage tourism industry in the town of Marian, part of the Pioneer Valley.
Helen Porter Mitchell, or Nellie Melba as she would later be known, was born in Melbourne. After her mother’s death from illness and the sudden death of a sibling, Melba moved to Queensland early in 1881 when aged twenty, with her father David Mitchell and her sister Annie. David Mitchell moved to the Mackay region because he obtained a job there as the builder of a new sugar mill near Mackay.
Melba, or Helen as she was still known, quickly became well known in Mackay society, she and her sister wore the latest fashions, and Melba’s singing and talent with a piano also made her popular in Mackay society. Although Melba’s singing would later become world famous, in Mackay she was considered second in vocal talents to another young woman of the region. By December 1882 Melba married Charles Armstrong in Brisbane.
After a long honeymoon in Melbourne, staying at Melba’s family home at Doonside, Melba and Charles returned to the tropics and she moved with her husband to a small house near the Marian Mill, where Charles was the manager in March 1883. March was the wettest month of the year, and the rains poured down for several more weeks before easing in mid-year.
The tropical climate
The tropical climate seems to have played a key role in Melba’s impressions of Queensland. The wet tropical summer with its high humidity and days of rain not only had a detrimental effect on Melba’s mood but also upon her prized possessions. Her piano fell to pieces due to the mildew which invaded her home. The tropics contributed to Melba’s later bitterness about the weather and environment of the Marian region.
Melba was disconsolate from the heat, humidity and wetness which surrounded her small home. To bathe in the river her path took her through trees and the natural habitat of snakes, frogs and other creatures. The river itself was not only home to leeches, but, according to rumour, crocodiles. Of course this was when the river itself was not in flood as many tropical rivers are during the summer and autumn months.
Although the years that Melba was in the Mackay region were not the wettest, or the hottest on record, or even in comparison to other parts of the nineteenth century, they were certainly a change from temperate, cool Melbourne. By the end of 1883 Helen Porter Mitchell Armstrong fled from the heat, the poverty and the creatures of Queensland’s tropics back to Melbourne, the city from which she took her stage name as Nellie ‘Melba’.
Heritage tourism and Melba in Marian
The central place of Melba House as the visitor information site in Marian depicts Melba’s role as a famous, if somewhat unhappy, resident of the small town. Her presence during the early 1880s is seen as important in the history of the region’s establishment as a centre for the sugar cane industry. Today her fame is used to attract tourists to the region.
Whatever length of time the central figure in a local story stays in an area, they need to have at least two tangible attributes to become a key part of the ‘heritage’ process - the ability to attract outside interest and the ability to be the central point from which the story of a place and a period can be told. Melba’s presence gives the small town of Marian an icon around which to build its story. Melba House which was to be demolished has now become the heart of Marian’s new role as a heritage town in the Pioneer Valley and acts a museum to Melba in the 1880s.
The town remembers Nellie Melba, and indeed the town lived in Melba’s own memory. Despite her rejection of life in the tropics, Melba had an ongoing relationship with the region, sending money to help repair cyclone damage to the local church.
References and Further reading (Note):
Nellie Melba, Melodies and memories, London, Butterworth, 1925
References and Further reading (Note):
Ann Blainey, I am Melba: a biography, Melbourne, Black Inc, 2008
References and Further reading (Note):
John Hetherington, Melba: a biography, Carlton, Melbourne University Press, 1995
References and Further reading (Note):
Jean Williams, Mackay mosaic, Nambour, Homecoming, 2005