- Home
- Quintessential Queensland
- Distinctiveness
- Perceptions
- Perceptions: how people understand the landscape
- From runs to closer settlement
- Geological survey of Queensland
- Mapping a new colony, 1860-80
- Mapping the Torres Strait: from TI to Magani Malu and Zenadh Kes
- Order in Paradise: a colonial gold field
- Queensland atlas, 1865
- Queensland mapping since 1900
- Queensland: the slogan state
- Rainforests of North Queensland
- Walkabout
- Queenslanders
- Queenslanders: people in the landscape
- Aboriginal heroes: episodes in the colonial landscape
- Australian South Sea Islanders
- Cane fields and solidarity in the multiethnic north
- Chinatowns
- Colonial immigration to Queensland
- Greek Cafés in the landscape of Queensland
- Hispanics and human rights in Queensland’s public spaces
- Italians in north Queensland
- Lebanese in rural Queensland
- Queensland clothing
- Queensland for ‘the best kind of population, primary producers’
- Too remote, too primitive and too expensive: Scandinavian settlers in colonial Queensland
- Distance
- Movement
- Movement: how people move through the landscape
- Air travel in Queensland
- Bicycling through Brisbane, 1896
- Cobb & Co
- Journey to Hayman Island, 1938
- Law and story-strings
- Mobile kids: children’s explorations of Cherbourg
- Movable heritage of North Queensland
- Passages to India: military linkages with Queensland
- The Queen in Queensland, 1954
- Transient Chinese in colonial Queensland
- Travelling times by rail
- Pathways
- Pathways: how things move through the landscape and where they are made
- Aboriginal dreaming paths and trading ways
- Chinese traders in the nineteenth century
- Introducing the cane toad
- Pituri bag
- Press and the media
- Radio in Queensland
- Red Cross Society and World War I in Queensland
- The telephone in Queensland
- Where did the trams go?
- ‘A little bit of love for me and a murder for my old man’: the Queensland Bush Book Club
- Movement
- Division
- Separation
- Separation: divisions in the landscape
- Asylums in the landscape
- Brisbane River
- Changing landscape of radicalism
- Civil government boundaries
- Convict Brisbane
- Dividing Queensland - Pauline Hanson’s One Nation Party
- High water mark: the shifting electoral landscape 2001-12
- Hospitals in the landscape
- Indigenous health
- Palm Island
- Secession movements
- Separate spheres: gender and dress codes
- Separating land, separating culture
- Stone walls do a prison make: law on the landscape
- The 1967 Referendum – the State comes together?
- Utopian communities
- Whiteness in the tropics
- Conflict
- Conflict: how people contest the landscape
- A tale of two elections – One Nation and political protest
- Battle of Brisbane – Australian masculinity under threat
- Dangerous spaces - youth politics in Brisbane, 1960s-70s
- Fortress Queensland 1942-45
- Grassy hills: colonial defence and coastal forts
- Great Shearers’ Strike of 1891
- Iwasaki project
- Johannes Bjelke-Petersen: straddling a barbed wire fence
- Mount Etna: Queensland's longest environmental conflict
- Native Police
- Skyrail Cairns (Research notes)
- Staunch but conservative – the trade union movement in Rockhampton
- The Chinese question
- Thomas Wentworth Wills and Cullin-la-ringo Station
- Separation
- Dreaming
- Imagination
- Imagination: how people have imagined Queensland
- Brisbane River and Moreton Bay: Thomas Welsby
- Changing views of the Glasshouse Mountains
- Imagining Queensland in film and television production
- Jacaranda
- Literary mapping of Brisbane in the 1990s
- Looking at Mount Coot-tha
- Mapping the Macqueen farm
- Mapping the mythic: Hugh Sawrey's ‘outback’
- People’s Republic of Woodford
- Poinsettia city: Brisbane’s flower
- The Pineapple Girl
- The writers of Tamborine Mountain
- Vance and Nettie Palmer
- Memory
- Memory: how people remember the landscape
- Anna Wickham: the memory of a moment
- Berajondo and Mill Point: remembering place and landscape
- Cemeteries in the landscape
- Landscapes of memory: Tjapukai Dance Theatre and Laura Festival
- Monuments and memory: T.J. Byrnes and T.J. Ryan
- Out where the dead towns lie
- Queensland in miniature: the Brisbane Exhibition
- Roadside ++++ memorials
- Shipwrecks as graves
- The Dame in the tropics: Nellie Melba
- Tinnenburra
- Vanished heritage
- War memorials
- Curiosity
- Curiosity: knowledge through the landscape
- A playground for science: Great Barrier Reef
- Duboisia hopwoodii: a colonial curiosity
- Great Artesian Basin: water from deeper down
- In search of Landsborough
- James Cook’s hundred days in Queensland
- Mutual curiosity – Aboriginal people and explorers
- Queensland Acclimatisation Society
- Queensland’s own sea monster: a curious tale of loss and regret
- St Lucia: degrees of landscape
- Townsville’s Mount St John Zoo
- Imagination
- Development
- Exploitation
- Transformation
- Transformation: how the landscape has changed and been modified
- Cultivation
- Empire and agribusiness: the Australian Mercantile Land and Finance Company
- Gold
- Kill, cure, or strangle: Atherton Tablelands
- National parks in Queensland
- Pastoralism 1860s–1915
- Prickly pear
- Repurchasing estates: the transformation of Durundur
- Soil
- Sugar
- Sunshine Coast
- The Brigalow
- Walter Reid Cultural Centre, Rockhampton: back again
- Survival
- Survival: how the landscape impacts on people
- Brisbane floods: 1893 to the summer of sorrow
- City of the Damned: how the media embraced the Brisbane floods
- Depression era
- Did Clem Jones save Brisbane from flood?
- Droughts and floods and rail
- Missions and reserves
- Queensland British Food Corporation
- Rockhampton’s great flood of 1918
- Station homesteads
- Tropical cyclones
- Wreck of the Quetta
- Pleasure
- Pleasure: how people enjoy the landscape
- Bushwalking in Queensland
- Cherbourg that’s my home: celebrating landscape through song
- Creating rural attractions
- Festivals
- Queer pleasure: masculinity, male homosexuality and public space
- Railway refreshment rooms
- Regional cinema
- Schoolies week: a festival of misrule
- The sporting landscape
- Visiting the Great Barrier Reef
By:
Janet Spillman Mount Coot-tha is one of the dominant visual landmarks of Brisbane. Since the 1960s it has been topped by television and communication towers, and forms a distinctive backdrop to many parts of the city. Looking from Mount Coot-tha provides unrivalled 360° views of Brisbane and surrounds.
Mount Coot-tha lies eight kilometres west of Brisbane’s CBD, one of a several hills enclosing the Moreton Bay settlement. In 1825 John Oxley called the area ‘Glen Morrison Range’ but Edmund Lockyer’s 1827 map referred to ‘Sir Herbert Taylor’s Range’.
Hilly, sterile and devoid of interest
Convicts built the first road up the mountain, following cattle tracks which probably followed paths made by the Turrbal people. Visitors came to admire the view, to picnic, and to take walks. When Captain Logan climbed to the ‘southern extremity of Glenmoriston’s Range’ with botanists Allan Cunningham and Charles Fraser, Fraser’s diary entry for 6 July 1828 noted that the country between Brisbane Town and the base of the hill was ‘hilly, sterile, and devoid of interest’. The soil and grasses improved as they ascended, and Fraser found the summit clothed with richly varied timber, including hoop pines and eucalypts. These trees drew timber getters, who logged the region to build the settlement. In 1839, surveyor James Warner cleared the highest point of the range for a triangulation station for surveyors. One tree remained on the bare knoll that stood out from the densely forested range, hence the name ‘One Tree Hill’.
Logging
As surveyed land was sold, the government reserved land for future sale or for government use. Captain Simpson purchased farm land near the Summit and loggers floated timber down the Brisbane River from the western side of Taylor’s Range to Brisbane sawmills while the Patterson Brothers operated the Bon Accord Sawmills in Brookfield. When The Crown Land Alienation Act, 1868 allowed land purchase for settlement, forested areas passed into private ownership. Patrick Pacey’s first General Timber Licence enabled him to log the western slopes of the Taylor Range, but he soon acquired large portions of freehold land in the Brookfield area which he logged without licence. By 1870, logging firms were alarmed by the rapid depletion of forest reserves. One Tree Hill was declared a railway reserve in 1873, to provide timber for the building of the railway line to Indooroopilly but a report from the Select Committee on Forestry to the Queensland Government recommended that reserves be declared to conserve timber assets.
Recreation Reserve
In 1880, One Tree Hill became a Recreation Reserve, under the guardianship of a Board of Trustees that included political leaders Sir Arthur Palmer and Sir Thomas McIlwraith, who lived locally at Toowong and enjoyed the landscape value provided by the nearby forest. Millais Culpin declared in the early 1890s that Mount Coot-tha being ‘too much on a slant to suit land speculators…is set apart as a public reserve’.
The Trustees established a Recreation Reserve, building roads, shelter sheds, and water tanks for the benefit of visitors. Fences protected the land from illegal logging and grazing, while a caretaker removed lantana and fought fires. Mount Coot-tha became a popular destination for day trippers but Queensland’s economic difficulties after 1893 forced cuts to government subsidies, and the Lands Department insisted that gold-mining, stone-quarrying, and logging be allowed on the reserve. Funding crises in 1919 forced the Trustees to transfer responsibility for the Deed of Trust to Brisbane Council.
Brisbane City Council’s first Lord Mayor, William Jolly, recognised the value of Brisbane’s green space with improved facilities, building roads, a kiosk, and a small viewing gazebo to cater for the increasing numbers of visitors arriving by car. The incursion of transport needs upon the provision of green space was demonstrated in 1967 by the building of the Western Freeway from Toowong Cemetery westward through the southern end of the reserve, and later in 2010 by the surfacing of Gap Creek Road, which cuts through Mount Coot-tha Reserve in the west. William Jolly’s land acquisitions for the Reserve ended with the financial stringencies of the Depression.
During World War II the US Seventh Fleet used the Reserve as a Naval Magazine and Mine Assembly Depot. With a large camp at East Ithaca Creek, and magazine huts spaced along the gullies around Sir Samuel Griffiths Drive, bulldozers changed the structure and course of the creeks, and opened up large areas to erosion.
Communication centre
Mount Coot-tha became a communications centre in 1947 with the lease of land to the Post Master General for high frequency radio telephones. In 1957 Council leased four parcels of land to ABC TV and three commercial television stations. Lord Mayor Clem Jones sold the leasehold in 1961 to the commercial companies, with the agreement of the Lands Department to sell that part of Channel 9’s land which was held under trust to the Queensland Government. Thus, although the 1880 Deed of Trust required Mount Coot-tha to be retained as green space for the recreation of the people of Brisbane, the Quarry, Kiosk and TV Stations were developed by commercial interests.
Like other Brisbane residents, artist Charles Callins saw Mount Coot-tha’s bushland as an inhabited space, with the Kiosk and TV Towers linking it to Brisbane. In 2010 Brisbane City Council’s Visioning Group reported on plans for developing Mount Coot-tha to meet the needs of a rapidly growing population. The Council stated its determination to protect plant and animal biodiversity, on a Mount Coot-tha that is no longer a Forest Reserve, but a Precinct.
References and Further reading (Note):
Barron Field, Geographical memoirs of New South Wales; by various hands: together with other papers on the Aborigines, the geology, the botany, the timber, the astronomy and the meteorology of New South Wales and Van Diemen’s Land, London, Murray, 1825
References and Further reading (Note):
Edmund Lockyer, A chart of New South Wales, London, I. Cross, 1827
References and Further reading (Note):
Charles Fraser, ‘Journal of two months' residence on the banks of the Rivers Brisbane and Logan, on the East Coast of New Holland’, in William Jackson Hooker (ed), Botanical miscellany: containing figures and descriptions of such plants as recommended themselves by their novelty, rarity or history, or by the uses to which they are applied in the arts, in medicine, and in domestic economy, London, John Murray, 1830
References and Further reading (Note):
Frances MacKeith and Ray Sumner ‘Millais Culpin’s Letters 1891-1892’ in Ray Sumner (ed), Brisbane butterflies and beetles: the work of Amalie Dietrich, Millais Culpin and Alfred Jefferis Turner, Brisbane History Group Sources, 4. Brisbane, 1989