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- Quintessential Queensland
- Distinctiveness
- Perceptions
- Perceptions: how people understand the landscape
- From runs to closer settlement
- Geological survey of Queensland
- Mapping a new colony, 1860-80
- Mapping the Torres Strait: from TI to Magani Malu and Zenadh Kes
- Order in Paradise: a colonial gold field
- Queensland atlas, 1865
- Queensland mapping since 1900
- Queensland: the slogan state
- Rainforests of North Queensland
- Walkabout
- Queenslanders
- Queenslanders: people in the landscape
- Aboriginal heroes: episodes in the colonial landscape
- Australian South Sea Islanders
- Cane fields and solidarity in the multiethnic north
- Chinatowns
- Colonial immigration to Queensland
- Greek Cafés in the landscape of Queensland
- Hispanics and human rights in Queensland’s public spaces
- Italians in north Queensland
- Lebanese in rural Queensland
- Queensland clothing
- Queensland for ‘the best kind of population, primary producers’
- Too remote, too primitive and too expensive: Scandinavian settlers in colonial Queensland
- Distance
- Movement
- Movement: how people move through the landscape
- Air travel in Queensland
- Bicycling through Brisbane, 1896
- Cobb & Co
- Journey to Hayman Island, 1938
- Law and story-strings
- Mobile kids: children’s explorations of Cherbourg
- Movable heritage of North Queensland
- Passages to India: military linkages with Queensland
- The Queen in Queensland, 1954
- Transient Chinese in colonial Queensland
- Travelling times by rail
- Pathways
- Pathways: how things move through the landscape and where they are made
- Aboriginal dreaming paths and trading ways
- Chinese traders in the nineteenth century
- Introducing the cane toad
- Pituri bag
- Press and the media
- Radio in Queensland
- Red Cross Society and World War I in Queensland
- The telephone in Queensland
- Where did the trams go?
- ‘A little bit of love for me and a murder for my old man’: the Queensland Bush Book Club
- Movement
- Division
- Separation
- Separation: divisions in the landscape
- Asylums in the landscape
- Brisbane River
- Changing landscape of radicalism
- Civil government boundaries
- Convict Brisbane
- Dividing Queensland - Pauline Hanson’s One Nation Party
- High water mark: the shifting electoral landscape 2001-12
- Hospitals in the landscape
- Indigenous health
- Palm Island
- Secession movements
- Separate spheres: gender and dress codes
- Separating land, separating culture
- Stone walls do a prison make: law on the landscape
- The 1967 Referendum – the State comes together?
- Utopian communities
- Whiteness in the tropics
- Conflict
- Conflict: how people contest the landscape
- A tale of two elections – One Nation and political protest
- Battle of Brisbane – Australian masculinity under threat
- Dangerous spaces - youth politics in Brisbane, 1960s-70s
- Fortress Queensland 1942-45
- Grassy hills: colonial defence and coastal forts
- Great Shearers’ Strike of 1891
- Iwasaki project
- Johannes Bjelke-Petersen: straddling a barbed wire fence
- Mount Etna: Queensland's longest environmental conflict
- Native Police
- Skyrail Cairns (Research notes)
- Staunch but conservative – the trade union movement in Rockhampton
- The Chinese question
- Thomas Wentworth Wills and Cullin-la-ringo Station
- Separation
- Dreaming
- Imagination
- Imagination: how people have imagined Queensland
- Brisbane River and Moreton Bay: Thomas Welsby
- Changing views of the Glasshouse Mountains
- Imagining Queensland in film and television production
- Jacaranda
- Literary mapping of Brisbane in the 1990s
- Looking at Mount Coot-tha
- Mapping the Macqueen farm
- Mapping the mythic: Hugh Sawrey's ‘outback’
- People’s Republic of Woodford
- Poinsettia city: Brisbane’s flower
- The Pineapple Girl
- The writers of Tamborine Mountain
- Vance and Nettie Palmer
- Memory
- Memory: how people remember the landscape
- Anna Wickham: the memory of a moment
- Berajondo and Mill Point: remembering place and landscape
- Cemeteries in the landscape
- Landscapes of memory: Tjapukai Dance Theatre and Laura Festival
- Monuments and memory: T.J. Byrnes and T.J. Ryan
- Out where the dead towns lie
- Queensland in miniature: the Brisbane Exhibition
- Roadside ++++ memorials
- Shipwrecks as graves
- The Dame in the tropics: Nellie Melba
- Tinnenburra
- Vanished heritage
- War memorials
- Curiosity
- Curiosity: knowledge through the landscape
- A playground for science: Great Barrier Reef
- Duboisia hopwoodii: a colonial curiosity
- Great Artesian Basin: water from deeper down
- In search of Landsborough
- James Cook’s hundred days in Queensland
- Mutual curiosity – Aboriginal people and explorers
- Queensland Acclimatisation Society
- Queensland’s own sea monster: a curious tale of loss and regret
- St Lucia: degrees of landscape
- Townsville’s Mount St John Zoo
- Imagination
- Development
- Exploitation
- Transformation
- Transformation: how the landscape has changed and been modified
- Cultivation
- Empire and agribusiness: the Australian Mercantile Land and Finance Company
- Gold
- Kill, cure, or strangle: Atherton Tablelands
- National parks in Queensland
- Pastoralism 1860s–1915
- Prickly pear
- Repurchasing estates: the transformation of Durundur
- Soil
- Sugar
- Sunshine Coast
- The Brigalow
- Walter Reid Cultural Centre, Rockhampton: back again
- Survival
- Survival: how the landscape impacts on people
- Brisbane floods: 1893 to the summer of sorrow
- City of the Damned: how the media embraced the Brisbane floods
- Depression era
- Did Clem Jones save Brisbane from flood?
- Droughts and floods and rail
- Missions and reserves
- Queensland British Food Corporation
- Rockhampton’s great flood of 1918
- Station homesteads
- Tropical cyclones
- Wreck of the Quetta
- Pleasure
- Pleasure: how people enjoy the landscape
- Bushwalking in Queensland
- Cherbourg that’s my home: celebrating landscape through song
- Creating rural attractions
- Festivals
- Queer pleasure: masculinity, male homosexuality and public space
- Railway refreshment rooms
- Regional cinema
- Schoolies week: a festival of misrule
- The sporting landscape
- Visiting the Great Barrier Reef
By:
Marion Stell
By:
Peter Spearritt The popular national travel magazine Walkabout (current 1934-74, 1978), produced by the Australian National Travel Association in Melbourne, contained many stories on Queensland. These stories helped shape the national perception of Queensland. Widely circulated, Walkabout was to be found in the waiting rooms of dentists, doctors and even hair dressers. The magazine's income came from a combination of subscribers and advertisers, which included shipping companies, airlines, state railways, state government tourist bureaux, and from the late 1950s car manufacturers.
Walkabout maps
From early on in its history the magazine occasionally featured small scale locality maps to familiarise the reader with the geographic area under discussion. From the 1940s some thematic maps were produced including the Artesian basin, mail routes, irrigation schemes, rabbit fences, cattle lands, the Queensland British Food Corporation properties, flooded areas, cotton and cyclones.
When Walkabout moved from black and white to colour production in the late 1950s, and adopted a larger format after 1962, it began to publish one-colour maps of topics such as Leichhardt’s expedition, the Bunya Mountains National Park and the Bradfield irrigation scheme. These maps were attributed to M.V. Lorman, of Mapping Systems Brisbane, who drew them especially for Walkabout. After 1966 the style of maps was simplified, returning to a straightforward locality map until the magazine, suffering rapidly falling sales, ceased publication in 1978. The December 1964 issue featured a souvenir full page colour map of Australia from National Mapping, the Federal government’s cartographic arm, in Canberra.
Walkabout covers
The magazine only used photographic images on its cover. While following in the footsteps of the National Geographic, Walkabout focused its attention on Australia and the Pacific. In all there were about 500 issues of the monthly magazine produced and about 29 featured Queensland on the cover – but which Queensland?
Cover photographs were often taken by authors in the field – including the textile artist Olive Ashworth (1964), and anthropologist Donald Thomson (1969). While the Reef featured on more than one third of the Queensland-related covers, images from the developing cattle, cotton, sugar and mining industries gained national exposure in the 1950s and 1960s, taking over from images of the natural world. Gradually an image of the Queensland ‘lifestyle’ came to prominence.
Published variously as the ‘Journal of the Australian Geographical Society’ and as ‘Australia’s Way of Life Magazine’ by the Australian National Publicity Association and later the Australian National Travel Association, the magazine drew its title from the supposed ‘racial characteristic of the Australian aboriginal who is always on the move’. Central Australian Aborigines and New Guineans were more likely to feature on the cover than Indigenous Queenslanders; one cover is devoted to Aboriginal people from Cape York Peninsula and none to Torres Strait Islanders. The first Queensland-related cover presents the ‘Marine Wonders of the Great Barrier Reef’ in 1934, and in 1972 another asks the question ‘The Reef: is the magic gone?’
The magazine moved to colour covers, but its large format proved expensive to print, so it switched to a smaller format in the late 1960s, but failed to maintain its readership. By then even the title, Walkabout, seemed old fashioned, a throw-back to a previous Australia. The federally-funded Australian Tourist Commission, set up in 1967, took over the magazine but saw direct advertising in overseas source markets, including the United States and Japan, as a better investment than publishing a magazine that read more and more like a rather faded travel brochure.
References and Further reading (Note):
Jim Davidson and Peter Spearritt, Holiday business: tourism in Australia since 1870, Melbourne University Press, 2000
Copyright © Marion Stell and Peter Spearritt, 2010
Related:
Perceptions